http://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&feed=atom&action=historyGlass Harmonica - Revision history2024-03-28T15:08:04ZRevision history for this page on the wikiMediaWiki 1.25.2http://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=7860&oldid=prevAlex at 03:46, 8 April 20102010-04-08T03:46:17Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Stevens, Bryna ''Ben Franklin's Glass Armonica''pictures by Priscilla Kiedowski, Carolrhoda Books inc. Minneapolis, Minnesota, 1983.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Stevens, Bryna ''Ben Franklin's Glass Armonica''pictures by Priscilla Kiedowski, Carolrhoda Books inc. Minneapolis, Minnesota, 1983.</div></td></tr>
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</table>Alexhttp://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=4974&oldid=prevHcnc: /* Other Uses */ Poland's kings were elected since the 16th century, there are no "heirs" to the throne2008-05-28T17:37:45Z<p><span dir="auto"><span class="autocomment">Other Uses: </span> Poland's kings were elected since the 16th century, there are no "heirs" to the throne</span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>'''Healing Qualities'''</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>'''Healing Qualities'''</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>While Franklin may not have entirely bought the concept of animal magnetism, he did believe that the glass armonica some special healing quality. In 1772, Franklin went to Prince Adam Czartoryski<del class="diffchange diffchange-inline">, heir to the throne </del>of Poland<del class="diffchange diffchange-inline">, </del>about his wife who had been suffering of melancholia (Lipowski). She recounts Franklin's visit, saying:</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>While Franklin may not have entirely bought the concept of animal magnetism, he did believe that the glass armonica some special healing quality. In 1772, Franklin went to Prince Adam Czartoryski of Poland about his wife who had been suffering of melancholia (Lipowski). She recounts Franklin's visit, saying:</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>"I was ill, in a state of melancholia, and writing my testament and farewell letters. Wishing to distract me, my husband explained to me who Franklin was and to what he owed his fame… Franklin had a noble face with an expression of engaging kindness. Surprised by my immobility, he took my hands and gazed at me saying: pauvre jeune femme ["poor young lady']. He then opened an armonica, sat down and played long. The music made a strong impression on me and tears began flowing from my eyes. Then Franklin sat by my side and looking with compassion said, "Madam, you are cured." Indeed in that moment I was cured of my melancholia. Franklin offered to teach me how to play the armonica - I accepted without hesitation, hence he gave me twelve lessons" (Lipowski 362).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>"I was ill, in a state of melancholia, and writing my testament and farewell letters. Wishing to distract me, my husband explained to me who Franklin was and to what he owed his fame… Franklin had a noble face with an expression of engaging kindness. Surprised by my immobility, he took my hands and gazed at me saying: pauvre jeune femme ["poor young lady']. He then opened an armonica, sat down and played long. The music made a strong impression on me and tears began flowing from my eyes. Then Franklin sat by my side and looking with compassion said, "Madam, you are cured." Indeed in that moment I was cured of my melancholia. Franklin offered to teach me how to play the armonica - I accepted without hesitation, hence he gave me twelve lessons" (Lipowski 362).</div></td></tr>
</table>Hcnchttp://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=3462&oldid=prev18.214.1.30: /* Glass */2008-03-16T01:42:22Z<p><span dir="auto"><span class="autocomment">Glass</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Creating <del class="diffchange diffchange-inline">porperly </del>tuned glass bowls was extremely difficult.  Each bowl was hand blown making every set different from the others.  In fact, only one bowl out of every 100 blown was the proper size and tune.  Thus, the completion of an entire four-octave Glass Harmonica was a strenuous and inconsistant task.  The glass used also is believed to be one of the reasons for its downfall and disapperance into obscurity.  There was a high amount of lead in the glass and many years later it was theorized that people went mad when they played it.  The lead would, "Leach through the fingertips into the bloodstream.. causing nerve damage." (Finkenbeiner 140)</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Creating <ins class="diffchange diffchange-inline">properly </ins>tuned glass bowls was extremely difficult.  Each bowl was hand blown making every set different from the others.  In fact, only one bowl out of every 100 blown was the proper size and tune.  Thus, the completion of an entire four-octave Glass Harmonica was a strenuous and inconsistant task.  The glass used also is believed to be one of the reasons for its downfall and disapperance into obscurity.  There was a high amount of lead in the glass and many years later it was theorized that people went mad when they played it.  The lead would, "Leach through the fingertips into the bloodstream.. causing nerve damage." (Finkenbeiner 140)</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Foot Pedals and Framing===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Foot Pedals and Framing===</div></td></tr>
</table>18.214.1.30http://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=3461&oldid=prev18.214.1.30: /* Structure of Harmonica */2008-03-16T01:41:27Z<p><span dir="auto"><span class="autocomment">Structure of Harmonica</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Structure of Harmonica==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Structure of Harmonica==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>One full <del class="diffchange diffchange-inline">octive </del>(48 notes, two octaves above and below middle C) of finely tuned glass cups were turned on their side and fit within each other almost to the point of touching.  They were all mounted on a driveshaft controlled by a motor powered by the users foot and were seperated and secured to the driveshaft by corks inserted into the bottom of the bowls.  Sometimes a moisturizer was used spraying the cups lightly at the bottom of the instrument to keep them constantly moisturized.  However, most of the time, the moisture came from the players fingertips.  This became an improvement on the traditional musical glass arrangement because, "The instrument could be played much more like a piano; chords and faster musical passages would be easier to achieve, since one would not awkwardly have to coordinate turning one's finger around the rim of each glass." (Finkenbeiner 139)   </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>One full <ins class="diffchange diffchange-inline">octave </ins>(48 notes, two octaves above and below middle C) of finely tuned glass cups were turned on their side and fit within each other almost to the point of touching.  They were all mounted on a driveshaft controlled by a motor powered by the users foot and were seperated and secured to the driveshaft by corks inserted into the bottom of the bowls.  Sometimes a moisturizer was used spraying the cups lightly at the bottom of the instrument to keep them constantly moisturized.  However, most of the time, the moisture came from the players fingertips.  This became an improvement on the traditional musical glass arrangement because, "The instrument could be played much more like a piano; chords and faster musical passages would be easier to achieve, since one would not awkwardly have to coordinate turning one's finger around the rim of each glass." (Finkenbeiner 139)   </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Glass===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Glass===</div></td></tr>
</table>18.214.1.30http://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=2584&oldid=prevKendra: /* Works Cited */2007-11-14T20:24:08Z<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Finkenbeiner, Gerhard, and Vera Meyer]], "The Glass Harmonica: A Return from Obscurity." Leonardo, Vol. 20, No. 2, Special Issue: Visual Art, Sound, Music and Technology (1987): 139-142. JStor. NYU. 8 Nov. 2007.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Finkenbeiner, Gerhard, and Vera Meyer]], "The Glass Harmonica: A Return from Obscurity." Leonardo, Vol. 20, No. 2, Special Issue: Visual Art, Sound, Music and Technology (1987): 139-142. JStor. NYU. 8 Nov. 2007.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Gerhard Finkenbeiner, ''Patent on Glass harmonica''Patent number: 4589322, Filing date: Aug 12, 1983,Issue date: May 20, 1986, Inventor: Gerhard Finkenbeiner, U.S. Classification 84402; 84410,International Classification G10D 1308.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Fox, Catherine C.]], "Second Time Around." Smithsonian 01 Feb. 2007. 10 Nov. 2007 <http://www.smithsonianmag.com/arts-culture/10023801.html>.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Fox, Catherine C.]], "Second Time Around." Smithsonian 01 Feb. 2007. 10 Nov. 2007 <http://www.smithsonianmag.com/arts-culture/10023801.html>.</div></td></tr>
</table>Kendrahttp://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=2581&oldid=prevKendra: /* Works Cited */2007-11-14T20:18:41Z<p><span dir="auto"><span class="autocomment">Works Cited</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 20:18, 14 November 2007</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L72" >Line 72:</td>
<td colspan="2" class="diff-lineno">Line 72:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Mozart Adagio and Rondo (KV 617) audio clips taken from Culture Mediation International <http://rauscher-kultur.at/seiten/kv617-mozarts-last-chamber-music.htm></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Mozart Adagio and Rondo (KV 617) audio clips taken from Culture Mediation International <http://rauscher-kultur.at/seiten/kv617-mozarts-last-chamber-music.htm></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Bloch, Thomas, "Glass Harmonica" Introduction to album, HNH International, 2001. </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Finkenbeiner, Gerhard, and Vera Meyer]], "The Glass Harmonica: A Return from Obscurity." Leonardo, Vol. 20, No. 2, Special Issue: Visual Art, Sound, Music and Technology (1987): 139-142. JStor. NYU. 8 Nov. 2007.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Finkenbeiner, Gerhard, and Vera Meyer]], "The Glass Harmonica: A Return from Obscurity." Leonardo, Vol. 20, No. 2, Special Issue: Visual Art, Sound, Music and Technology (1987): 139-142. JStor. NYU. 8 Nov. 2007.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Fox, Catherine C.]], "Second Time Around." Smithsonian 01 Feb. 2007. 10 Nov. 2007 <http://www.smithsonianmag.com/arts-culture/10023801.html>.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Fox, Catherine C.]], "Second Time Around." Smithsonian 01 Feb. 2007. 10 Nov. 2007 <http://www.smithsonianmag.com/arts-culture/10023801.html>.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Hadlock, Heather, ''Sonorous Bodies: Women and the Glass Harmonica'' Journal of the American Musicological Society, Vol. 53, No. 3. (Autumn, 2000), pp. 507-542. </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Heard, Mervyn]], ''Phantasmagoria: The Secret Life of the Magic Lantern'', (Hastings: The Projection Box, 2006). ISBN 1903000122  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Heard, Mervyn]], ''Phantasmagoria: The Secret Life of the Magic Lantern'', (Hastings: The Projection Box, 2006). ISBN 1903000122  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*King, Hyatt A., ''The Musical Glass and the Glass Harmonica'', Proceedings of the Royal Musical Association, 72nd Sess. (1945-1946), pp. 97-122) Oxford University Press.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Pattie, Frank A.]], ''Mesmer and Animal Magnetism: A Chapter in the History of Medicine'', (Hamilton, NY : Edmonston Publishing, Inc, 1994).  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Pattie, Frank A.]], ''Mesmer and Animal Magnetism: A Chapter in the History of Medicine'', (Hamilton, NY : Edmonston Publishing, Inc, 1994).  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Lipowski, Z.J.]], "Benjamin Franklin as a Psychotherapist: a Forerunner of Brief Psychotherapy." Perspectives in Biology and Medicine 27 (1984): 361-366.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Lipowski, Z.J.]], "Benjamin Franklin as a Psychotherapist: a Forerunner of Brief Psychotherapy." Perspectives in Biology and Medicine 27 (1984): 361-366.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Pollack, Michael ''Glass, Wet Fingers and a Mysterious Disappearance,'' The New York Times. December 12, 2001 Wednesday, The Arts/ Cultural Desk, Final edition.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Stevens, Bryna ''Ben Franklin's Glass Armonica''pictures by Priscilla Kiedowski, Carolrhoda Books inc. Minneapolis, Minnesota, 1983.</ins></div></td></tr>
</table>Kendrahttp://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=2575&oldid=prevKendra: /* Modern Harmonica */2007-11-14T20:08:05Z<p><span dir="auto"><span class="autocomment">Modern Harmonica</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 20:08, 14 November 2007</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L66" >Line 66:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Modern Harmonica==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Modern Harmonica==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Picture 1.png|thumb|right| Finkenbeiner's Patent 1983]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Picture 1.png|thumb|right| Finkenbeiner's Patent 1983]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>===Finkenbeiner's Patent===</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>===<ins class="diffchange diffchange-inline">Remediation and </ins>Finkenbeiner's Patent===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The Glass Harmonica now, after its explosive popularity and dramatic fall from grace by vicious rumor and violent symptoms, has not disappeared from the public eye completely. The new armonica's are now made with quartz instead of lead filled glass and the frame features motorized functions. But the model Franklin introduced some 300 years has hardly been improved upon. The structure of the Glass Harmonica is apparently close to perfection in its piano like structure. Franklin did design the instrument to be more playable and less awkward which apparently has worked very well. Glass Harmonica enthusiast, composer, and builder, Gerhard Finkenbeiner invented the modern armonica and filed the patent in 1983. The new armonica's, made with quartz, are improved on very minimal scale. They feature a motor so foot pedals are not needed and a built in mister keeping the glasses consistently wet. Minor improvements that are ultimately arbitrary and seem more trouble than their worth. The glasses can become too wet and with a motor the rhythm becomes less individualized. The music of the glass harmonica are still featured in modern music, "the glass harmonica [is played] on three of Linda Ronstadt's CD's…[titled] ''Cristal: Glass Music Through the Ages'' (Pollack). The remediation of the armonica leaves the instrument altogether and exists electronically and digitally on function keys on electric keyboards, called ''glass harp'' reproducing the glass-like sound without the ethereal or reverberating qualities. Although the electronic sound may lack the qualities are driving people mad and making them think they were dead, "Mrs. Franklin stirred. She was only half awake. When she heard the music, she thought she was dead. She thought the music was angels singing. She thought she had died and gone to heaven" (Stevens), the sound is too far from the wine glass original. The glass harmonica was first just the vibrating rims of wine glasses and now has been transformed and translated to be play on a full scale electronic keyboard piano.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The Glass Harmonica now, after its explosive popularity and dramatic fall from grace by vicious rumor and violent symptoms, has not disappeared from the public eye completely. The new armonica's are now made with quartz instead of lead filled glass and the frame features motorized functions. But the model Franklin introduced some 300 years has hardly been improved upon. The structure of the Glass Harmonica is apparently close to perfection in its piano like structure. Franklin did design the instrument to be more playable and less awkward which apparently has worked very well. Glass Harmonica enthusiast, composer, and builder, Gerhard Finkenbeiner invented the modern armonica and filed the patent in 1983. The new armonica's, made with quartz, are improved on very minimal scale. They feature a motor so foot pedals are not needed and a built in mister keeping the glasses consistently wet. Minor improvements that are ultimately arbitrary and seem more trouble than their worth. The glasses can become too wet and with a motor the rhythm becomes less individualized. The music of the glass harmonica are still featured in modern music, "the glass harmonica [is played] on three of Linda Ronstadt's CD's…[titled] ''Cristal: Glass Music Through the Ages'' (Pollack). The remediation of the armonica leaves the instrument altogether and exists electronically and digitally on function keys on electric keyboards, called ''glass harp'' reproducing the glass-like sound without the ethereal or reverberating qualities. Although the electronic sound may lack the qualities are driving people mad and making them think they were dead, "Mrs. Franklin stirred. She was only half awake. When she heard the music, she thought she was dead. She thought the music was angels singing. She thought she had died and gone to heaven" (Stevens), the sound is too far from the wine glass original. The glass harmonica was first just the vibrating rims of wine glasses and now has been transformed and translated to be play on a full scale electronic keyboard piano.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Kendrahttp://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=2572&oldid=prevKendra: /* Finkenbeiner's Patent */2007-11-14T20:07:41Z<p><span dir="auto"><span class="autocomment">Finkenbeiner's Patent</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 20:07, 14 November 2007</td>
</tr><tr><td colspan="2" class="diff-lineno" id="L67" >Line 67:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Picture 1.png|thumb|right| Finkenbeiner's Patent 1983]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Picture 1.png|thumb|right| Finkenbeiner's Patent 1983]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Finkenbeiner's Patent===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Finkenbeiner's Patent===</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The Glass Harmonica now, after its explosive popularity and dramatic fall from grace by vicious rumor and violent symptoms, has not disappeared from the public eye completely. The new armonica's are now made with quartz instead of lead filled glass and the frame features motorized functions. But the model Franklin introduced some 300 years has hardly been improved upon. The structure of the Glass Harmonica is apparently close to perfection in its piano like structure. Franklin did design the instrument to be more playable and less awkward which apparently has worked very well. Glass Harmonica enthusiast, composer, and builder, Gerhard Finkenbeiner invented the modern armonica and filed the patent in 1983. The new armonica's, made with quartz, are improved on very minimal scale. They feature a motor so foot pedals are not needed and a built in mister keeping the glasses consistently wet. Minor improvements that are ultimately arbitrary and seem more trouble than their worth. The glasses can become too wet and with a motor the rhythm becomes less individualized. The music of the glass harmonica are still featured in modern music, "the glass harmonica [is played] on three of Linda Ronstadt's CD's…[titled] ''Cristal: Glass Music Through the Ages'' (Pollack). The remediation of the armonica leaves the instrument altogether and exists electronically and digitally on function keys on electric keyboards, called ''glass harp'' reproducing the glass-like sound without the ethereal or reverberating qualities. Although the electronic sound may lack the qualities are driving people mad and making them think they were dead, "Mrs. Franklin stirred. She was only half awake. When she heard the music, she thought she was dead. She thought the music was angels singing. She thought she had died and gone to heaven" (Stevens), the sound is too far from the wine glass original. The glass harmonica was first just the vibrating rims of wine glasses and now has been transformed and translated to be play on a full scale electronic keyboard piano.</ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works Cited==</div></td></tr>
</table>Kendrahttp://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=2552&oldid=prevKendra: /* Modern Harmonica */2007-11-14T19:45:58Z<p><span dir="auto"><span class="autocomment">Modern Harmonica</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 19:45, 14 November 2007</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Modern Harmonica==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Modern Harmonica==</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Image:Picture 1.png|thumb|right| Finkenbeiner's Patent 1983]]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Finkenbeiner's Patent===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Finkenbeiner's Patent===</div></td></tr>
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</table>Kendrahttp://www.cultureandcommunication.org/deadmedia/index.php?title=Glass_Harmonica&diff=2551&oldid=prevKendra: /* Player */2007-11-14T19:43:14Z<p><span dir="auto"><span class="autocomment">Player</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 19:43, 14 November 2007</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The housing for the bowls themselves greatly resembled a piano or a table.  The bowls were strung through a bar that rested inside a box container with four legs portruding from it.  A foot pedal was located on the bottom (much like a piano) that powered the motor that spun the bowls.  The player had to sit in front of the instrument with their arms out the entire time.  The construction did not take into consideration easy portability or storage.   </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The housing for the bowls themselves greatly resembled a piano or a table.  The bowls were strung through a bar that rested inside a box container with four legs portruding from it.  A foot pedal was located on the bottom (much like a piano) that powered the motor that spun the bowls.  The player had to sit in front of the instrument with their arms out the entire time.  The construction did not take into consideration easy portability or storage.   </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>===<del class="diffchange diffchange-inline">Player</del>===</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>===<ins class="diffchange diffchange-inline">Players</ins>===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The player had to sit in front of the instrument the entire time.  Their hands were <del class="diffchange diffchange-inline">heald </del>out over the bowls as one would hold their hands over piano keys.  If no moisturizer was built into the instrument the player would have to keep their hands wet the entire time in order to create any sound from the bowls.  Sometimes players would coat their hands in chalk but most of the time they used water or oil.  The amount and <del class="diffchange diffchange-inline">consistancy </del>of the liquid used changed the sound of the tone.  In 1884 "Table Talk" published a quote about men and the Glass Harmonica: "Men are like musical glasses - to produce their finest tones, you must keep them wet.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The player had to sit in front of the instrument the entire time.  Their hands were <ins class="diffchange diffchange-inline">held </ins>out over the bowls as one would hold their hands over piano keys.  If no moisturizer was built into the instrument the player would have to keep their hands wet the entire time in order to create any sound from the bowls.  Sometimes players would coat their hands in chalk but most of the time they used water or oil.  The amount and <ins class="diffchange diffchange-inline">consistency </ins>of the liquid used changed the sound of the tone.  In 1884 "Table Talk" published a quote about men and the Glass Harmonica: "Men are like musical glasses - to produce their finest tones, you must keep them wet.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Glass Harmonica 1.jpg|thumb|right|]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Image:Glass Harmonica 1.jpg|thumb|right|]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Women on the other hand were well accustomed to the instrument, that with a foot pedal, was sewing machine like as well as piano-like. This structure makes the armonica, as an instrument, feminine. The sound of the instrument already resembled female singing, but the decorative qualities are emphasized over the technological or mechanical aspects. "To play the armonica was to hold a pose, to present a performance of stillness, balance, and silence. Playing, in short, resembled the "not-playing" depicted in so many contemporary paintings of women seated at keyboard instruments" (Hadlock). The women are present but not engaged. The delicacy and elegance of the glass arranged in size and order, to illustrate the effortless sound, playing, and the fact the instrument requires only "touch" and not other actions like pressing or pulling that imply struggle.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Music==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Music==</div></td></tr>
</table>Kendra