Dymaxion house max
The Failure of A House is a Labor of Love
Buckmister Fuller created a house meant for the future. In every way, the genius of Fuller looked to solve the world's grandest problems with the Dymaxion House, by creating a new paradigm for sustainable living, eventually ending in universal world harmony. In looking to create a logical, justified, and mass produced place of dwelling, Fuller looked to solve the larger societal issues which he felt faced the larger human race. The Dymaxion House is his solution to these issues, leveraging the technological and manufacturing might of a fully mechanized United States of America. Looking at the Dymaxion House from the Fuller perspective, one would think that every qualm of modern living is addressed by the overly obsessive Fuller. However, in creating one of the most thought out, theoretically logical and efficient dwellings of all time, Fuller forgot basic necessities, by structurally dis-allowing the "nooks and crannys," of a true home by removing all choice and flaws from a home. Having such a well thought out dwelling is an drastic shift from the organic standard of homemaking.
In the failure of the Dymaxison House, the politics of futurism comes into question. While certainly the Dymaxion House found opposition to success through its own failure in the marketplace, the ideological context which it was conceived may be equally responsible for pre-fabricated housing to catch on in the late 1930s.
house is a labor of love "via creating the most effeicnet house - futurism argument solving problems people didn't know they have while breaking things that worked. solving things people didn't want to solve.....letter...
Certainly one of the common follies of Dead Media lies around the concept of being "before its time," a device or media which looked to solve problems which were outside the everyman's needs. In looking to solve "future-issues," by fundamentally rethinking what a house was, the Dymaxison House failed to reconcile with the evolution of the house itself. In the wake of "New Deal" politics, Fuller himself looked to recreate the most basic of American possessions
DYMAXION HOUSE; Pitter-Patter On the Roof Published: May 31, 1992 To the Editor: In reading Witold Rybczynski's essay "A Little House on the Prairie Goes to a Museum" [ April 19 ] , I was reminded of the time in 1944 when I participated in a conference with Buckminster Fuller regarding his Dymaxion House. I attended at the request of my boss. He told me he would like to have an engineer accompany him. (I am an aeronautical engineer.) He wanted me as window dressing. Since I might feel uncomfortable if I said nothing, he advised, "You can say anything you feel like." We drove to the New Jersey Meadowlands, where we discussed the possibility of my boss financing a 500-house development. It was wonderful to hear Fuller's description of the technical achievements in his house, and the idea of a central compression column and thin curtain walls sounded extremely efficient. I realized that the three-hour conference was almost over and I had not made a single comment, so I asked: "Mr. Fuller, Grumman Aircraft gave me an employee's discount on an aluminum canoe. I like the canoe, but it isn't good for fishing because of the noise the water makes against the hollow aluminum. Would the noise on the roof be bothersome?" He laughed and said, "Well, I hadn't thought of that." On the way back to New York, I asked my boss if he was going to buy the houses, and he told me he was not. I said, "Why not? They seem so exciting." He told me it was because of the question I had asked and explained: "It wasn't your question; it was his answer. If he hadn't thought of that, I wondered how many other things he hadn't thought of." - LEONARD M. GREENE White Plains, N. Y.
- jesse pendulum of pop culture one side unified cohesive wants the same thing, individuality... needs to have a critical mass of people who are willing to sacrifice choice.