Difference between revisions of "Bootleg Video"
From Dead Media Archive
(→References) |
m (→The Camcorder, the VCR, and the Repositioning of the Viewing Subject) |
||
Line 9: | Line 9: | ||
==The Camcorder, the VCR, and the Repositioning of the Viewing Subject== | ==The Camcorder, the VCR, and the Repositioning of the Viewing Subject== | ||
+ | ===Surveillance, Sousveillence=== | ||
+ | * rodney king | ||
+ | * cctv aesthetics | ||
+ | * foucault | ||
+ | * flash-forward to "citizen journalism" | ||
+ | |||
+ | ===Transferal of Jouissance=== | ||
+ | * the "pervert" who films | ||
+ | * pamela & tommy lee | ||
+ | |||
+ | ===Palimpsest of Jouissance=== | ||
+ | * the "pervert" who watches | ||
+ | * the underground tape railroad | ||
+ | |||
+ | ===The Freedom of Timeshifting=== | ||
+ | * the VCR will watch for you | ||
+ | * nationalism & shared time | ||
==Amorous Media/Promiscuous Media== | ==Amorous Media/Promiscuous Media== |
Revision as of 15:27, 21 April 2010
Contents
A Brief History of Magnetic Tape
Visuality and the Technical Exigencies of Video
Bootleggers vs. Pirates
The Camcorder, the VCR, and the Repositioning of the Viewing Subject
Surveillance, Sousveillence
- rodney king
- cctv aesthetics
- foucault
- flash-forward to "citizen journalism"
Transferal of Jouissance
- the "pervert" who films
- pamela & tommy lee
Palimpsest of Jouissance
- the "pervert" who watches
- the underground tape railroad
The Freedom of Timeshifting
- the VCR will watch for you
- nationalism & shared time
Amorous Media/Promiscuous Media
References
- Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. The MIT Press. 1990.
- Hilderbrand, Lucas. Inherent Vice: Bootleg Histories of Videotape and Copyright. Duke University Press. 2009.
- Spielmann, Yvonne. Video: The Reflexive Medium. The MIT Press. 2008.
- Zizek, Slavoj. "The Interpassive Subject" in Traveses. Centre Georges Pompidou. 1998. [1]