Difference between revisions of "Bootleg Video"
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* Hilderbrand, Lucas. <i>Inherent Vice: Bootleg Histories of Videotape and Copyright</i>. Duke University Press. 2009. | * Hilderbrand, Lucas. <i>Inherent Vice: Bootleg Histories of Videotape and Copyright</i>. Duke University Press. 2009. | ||
* Spielmann, Yvonne. <i>Video: The Reflexive Medium</i>. The MIT Press. 2008. | * Spielmann, Yvonne. <i>Video: The Reflexive Medium</i>. The MIT Press. 2008. | ||
| − | * Zizek, Slavoj. "The Interpassive Subject" in <i>Traveses</i>. Centre Georges Pompidou. 1998. | + | * Zizek, Slavoj. "The Interpassive Subject" in <i>Traveses</i>. Centre Georges Pompidou. 1998. [http://www.egs.edu/faculty/slavoj-zizek/articles/the-interpassive-subject/] |
Revision as of 14:34, 21 April 2010
Contents
A Brief History of Magnetic Tape
Visuality and the Technical Exigencies of Video
Bootleggers vs. Pirates
The Camcorder, the VCR, and the Repositioning of the Viewing Subject
Amorous Media/Promiscuous Media
References
- Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. The MIT Press. 1990.
- Hilderbrand, Lucas. Inherent Vice: Bootleg Histories of Videotape and Copyright. Duke University Press. 2009.
- Spielmann, Yvonne. Video: The Reflexive Medium. The MIT Press. 2008.
- Zizek, Slavoj. "The Interpassive Subject" in Traveses. Centre Georges Pompidou. 1998. [1]
