Difference between revisions of "Bootleg Video"
From Dead Media Archive
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| − | =A Brief History of Magnetic Tape= | + | ==A Brief History of Magnetic Tape== |
| − | =Visuality and the Technical Exigencies of Video= | + | ==Visuality and the Technical Exigencies of Video== |
| − | =Bootleggers vs. Pirates= | + | ==Bootleggers vs. Pirates== |
| − | =The Camcorder, the VCR, and the Repositioning of the Viewing Subject= | + | ==The Camcorder, the VCR, and the Repositioning of the Viewing Subject== |
| − | =Amorous Media/Promiscuous Media= | + | ==Amorous Media/Promiscuous Media== |
| + | |||
| + | ==References== | ||
| + | * Crary, Jonathan. <i>Techniques of the Observer: On Vision and Modernity in the Nineteenth Century</i>. The MIT Press. 1990. | ||
| + | * Hilderbrand, Lucas. <i>Inherent Vice: Bootleg Histories of Videotape and Copyright</i>. Duke University Press. 2009. | ||
| + | * Spielmann, Yvonne. <i>Video: The Reflexive Medium</i>. The MIT Press. 2008. | ||
| + | * Zizek, Slavoj. "The Interpassive Subject" in <i>Traveses</i>. Centre Georges Pompidou. 1998. | ||
Revision as of 14:33, 21 April 2010
Contents
A Brief History of Magnetic Tape
Visuality and the Technical Exigencies of Video
Bootleggers vs. Pirates
The Camcorder, the VCR, and the Repositioning of the Viewing Subject
Amorous Media/Promiscuous Media
References
- Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. The MIT Press. 1990.
- Hilderbrand, Lucas. Inherent Vice: Bootleg Histories of Videotape and Copyright. Duke University Press. 2009.
- Spielmann, Yvonne. Video: The Reflexive Medium. The MIT Press. 2008.
- Zizek, Slavoj. "The Interpassive Subject" in Traveses. Centre Georges Pompidou. 1998.
