Difference between revisions of "3D Television"

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Anaglyph images are made up of two color coded images.  Each image is designated for either the right eye which is usually green/blue or the left eye which is red.  The two images form one 3-D image when viewed through special anaglyph glasses.  The Dimension 3 Company employs cyan/red as they believe that this combination produces the least amount of blur or ghost images (Dimension 3).  These blurred images are a constant problem with 3-D imaging.  The proper colors must be identified in order to make the images clear.
 
Anaglyph images are made up of two color coded images.  Each image is designated for either the right eye which is usually green/blue or the left eye which is red.  The two images form one 3-D image when viewed through special anaglyph glasses.  The Dimension 3 Company employs cyan/red as they believe that this combination produces the least amount of blur or ghost images (Dimension 3).  These blurred images are a constant problem with 3-D imaging.  The proper colors must be identified in order to make the images clear.
  
===Natural Vision===
+
===Spatial Vision===
 +
Spatial Vision was developed by experiments by German astronomer Carl Pulfrich in 1922.  Pulfrich discovered that “the rods of the eye – the receptors that work in dim light- take longer to perceive light than do the eye’s cones, which work in brighter light.  Using special glasses that have one clear lens and one lens dark enough that only rod-sensitive light will pass through, the two eyes will see the same object a split-second apart.  The brain will perceive that object to be closer than stationary one” (Taub).  Spatial Vision requires the movement of an image back and forth in order to produce a 3-D image.  Either the camera or the viewer has to be constantly moving.  The viewer must wear glasses with one clear lens and one dark lens.  However, unlike anaglyph, the image remains clear 2-D without the glasses.  Anaglyph images when viewed without glasses appear blurry with colored outlines surrounding each image. 
  
 
==Recent 3-D TV==
 
==Recent 3-D TV==

Revision as of 10:13, 31 October 2007

3-D television.

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1950s 3-D Novelties.


General Information

Precursors

Stereoscope

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Stereograph of US Patent Building c. 1890.

Invented in 1838 by Charles Wheatstone, the stereoscope provides viewers with a still 3-D image. Two images are designed side-by-side separated by the same distance as the eyes to form a stereograph. This stereograph is then placed inside a stereoscope with magnifying lenses about two and a half inches apart. An article from 1859, describes “a stereoscope is an instrument which makes surfaces look solid” (Stereoscope). The stereoscope marks the beginning of 3-D imaging. 3-D television follows long after.

1950s

Types

Anaglyph

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Anaglyph 3-D Glasses.

Anaglyph images are made up of two color coded images. Each image is designated for either the right eye which is usually green/blue or the left eye which is red. The two images form one 3-D image when viewed through special anaglyph glasses. The Dimension 3 Company employs cyan/red as they believe that this combination produces the least amount of blur or ghost images (Dimension 3). These blurred images are a constant problem with 3-D imaging. The proper colors must be identified in order to make the images clear.

Spatial Vision

Spatial Vision was developed by experiments by German astronomer Carl Pulfrich in 1922. Pulfrich discovered that “the rods of the eye – the receptors that work in dim light- take longer to perceive light than do the eye’s cones, which work in brighter light. Using special glasses that have one clear lens and one lens dark enough that only rod-sensitive light will pass through, the two eyes will see the same object a split-second apart. The brain will perceive that object to be closer than stationary one” (Taub). Spatial Vision requires the movement of an image back and forth in order to produce a 3-D image. Either the camera or the viewer has to be constantly moving. The viewer must wear glasses with one clear lens and one dark lens. However, unlike anaglyph, the image remains clear 2-D without the glasses. Anaglyph images when viewed without glasses appear blurry with colored outlines surrounding each image.

Recent 3-D TV

Visidep

Future of 3-D TV

References

Davis, Stuart. "In Stereo." Eye Level. 2007. Smithsonian American Art Museum. 29 Oct. 2007 <www.eyelevel.si.edu/2005/11/in_stereo.html>.

"Dimension 3." D3. 2007. Natural Vision Corporation. 27 Oct. 2007 <http://www.d3.com>.

"GV Films starts production of 3D TV serial Paramapadam. " Businessline 1 Sep. 2005: 1. ABI/INFORM Trade & Industry. ProQuest. NYU. 30 Oct. 2007 <http://www.proquest.com/>

Hawkins, Richard C. "Perspective on "3-D"" The Quarterly of Film Radio and Television 7 (1953): 325-334. JStor. NYU. 27 Oct. 2007.

Holbrook, Morris B. "Stereographic Visual Displays and the Three-Dimensional Communication of Findings in Marketing Research." Journal of Marketing Research 34 (1997): 526-536. JStor. NYU. 23 Oct. 2007.

Jennings, Tom, comp. The Dead Media Project. 17 Oct. 2007 <http://www.deadmedia.org>.

Speer, Lance. "Before Holography: a Call for Visual Literacy." Holography as an Art Medium: Special Double Issue 22 (1989): 299-306. JStor. NYU. 26 Oct. 2007.

Taub, Eric A. "Still Thinking Outside the Box :A New Technique Jettisons the Silly Glasses, But Even So, Will 3-D TV Ever Catch On? Still Thinking Outside the Box. " New York Times (1857-Current file) [New York, N.Y.] 18 Jul 2002,G1. ProQuest Historical Newspapers The New York Times (1851 - 2004). ProQuest. ***INSERT Library name or system, City, State***. 31 Oct. 2007 <http://www.proquest.com/>

"The Stereoscope. " Circular (1851-1870) [Brooklyn] 16 Jun 1859,84. APS Online. ProQuest. NYU. 31 Oct. 2007 <http://www.proquest.com/>

William, Paul. "The Aesthetics of Emergence." Film History. Indiana UP, 1993. 26 Oct. 2007 <JStor>.